Monday, April 21, 2014

Dealing With Loss and Tragedy


"There is a thin line that separates laughter and pain, comedy and tragedy, humor and hurt."
-Erma Bombeck


By Joshita Reza, Ryan Howlett, Dan Killenbec

Introduction:

Explanation--

At some point or another, every person experiences some sort of loss or tragedy.  Whether it is losing a loved one or facing a natural disaster, everyone deals with loss in a different manner.  But how does one deal with these turbulent emotions? Oftentimes, different literature, movies, and music, often allow people to face and cope with these tough times. It allows readers to view how other characters cope and deal with loss and how in the end, these characters got through it, and they will too.  Because tragedy and loss can happen to anyone at anytime, we as a group focused on all age groups--early childhood to old age. We selected various texts that highlight how different characters dealt with their own respective losses and how these texts and characters can translate to readers of all ages. Although the complexity of our texts vary from a child to young adult, all of these texts can be read, analyzed, and appreciated by people of all ages:

I am Malala: 15-18
Thirteen Reasons Why: 14-18
Lost and Found: Ages 10-15
"Where Were You When the World Stopped Turning": Ages 8-18
Bridge to Terabithia: Ages 10-14
Milo: Sticky Notes and Brain Freeze: Ages 9-14
"My Immortal": Ages 9-18
Where the Red Fern Grows: 8-13
Robot Dreams: Ages 8-12
I Love You Forever: Ages 6-10
The Lion King: Ages 5-10

In order to show different perspectives and tones, we have chosen to do both fiction and nonfiction and we have also chosen a myriad of genres: books, poems, movies, and songs. Although loss and tragedy can encompass a myriad of things, we have chosen to focus primarily on: the death of a loved one, natural disaster, and loss of a friend for these are probably the most common forms of loss and tragedy.  All of the texts, however, can be used to help anyone cope through any form of loss or tragedy. The following two links are also two other resources that adults can use to help a child/students cope with loss:






Rationale: 

Since everyone faces some sort of tragedy or loss at some point in their life, we decided to include students and readers of all ages (5-18). However, with that being said, many (if not all) of our texts are accessible to readers older than 18 and many of our texts geared toward the younger audience, can also be used in a high school/middle school classroom (Robot Dreams, Lost & Found).  

No one can account for when tragedy or loss is going to happen in one's life, so many of these texts help children and teenagers cope with loss when it does happen.  It allows readers to see how the characters in the book made it though their tragedies (more or less) and that they themselves can make it through their loss.  It also allows readers to connect to the text in a more personal way. We as educators, must remember that our students are not just these machines who are in our classrooms to consume information, but are humans that bring their personal lives into the classroom (hooks, 1994). We must remember that our students do have things going on outside of the classroom, and using texts that speak to these events will allow students to look at their lives critically as well as understand what is happening to them. Also  "reading literature widely for personal purposes highlights choice and extensive reading for purposes that are significant to children's own lives" will help students critically engage with the text on a deeper level and allow students to create a life-long, positive relationship with reading (Lynch-Brown, 2011).  

A lot of texts are also accessible to readers with varying levels.  The term "struggling reader" can refer to "youth with clinically diagnosed reading disabilities as well as those who are unmotivated, in remediation, disenchanted, or generally unsuccessful in school literacy tasks"(Alvermann, 2001). Our wordless comic books can help ELL's and struggling readers engage with the text in a more critical manner.  The songs we provided also can help reluctant readers to engage with the lyrics and deconstruct it in a manner that allows them to develop their literary skills.  And as we mentioned earlier, accounting for a student's personal experience outside of the classroom can also help struggling and unmotivated readers to engage with the texts.  

We also included several picture books, particularly aimed for a younger reader.  It is important to make a child's first experience with a book to be enjoyable (Lynch-Brown, 2011).  A negative experience could mean that "they may never learn to read or to enjoy reading".  All of the texts we have selected also have gotten good reviews through sites like Amazon (click on title to be redirected) or Goodreads. By creating positive reading experiences (and helping students cope with loss and tragedy in a positive way), we as educators can hope to help our students gain a positive outlook on reading and life.   


Book Blog Overview:

We selected our annotated bibliography so as to cover as many different genres and literary styles as possible. We selected picture books for young readers, a nonfiction text, a film, a poem, and a graphic novel. Though all of the books share a common theme in that they revolve around loss or tragedy, we tried to select texts that would lend themselves to more multimodal applications. To that end, we’ve attached links for several of the texts to either film clips, audio performances, interviews and even the melody for the song in I love you Forever.  Many of our text choices have also garnered awards:

Honors and Awards:

I Love you Forever: Was named on of Teachers top 100 books by the National Education Association. On many all time bestselling children’s book lists.

I am Malala: Recently Malala won the Simone de Beauvoir Prize, the National Youth Peace prize, and the Sakharov Prize. She’s also been given honorary Canadian citizenship.

Bridge to Terabithia: Won the 1977 Newbury Award for the most distinguished contribution to literary fiction for children.

Milo: Sticky Notes and Brain Freeze:  Won the 2011 QWF Literary Award for Children’s and Young Adult Literature and the 2011 Sid Fleischman Humor Award.

The Lion King: Won the 1995 Academy Award for original song and for original score.

Where the Red Ferns Grow: Won the 1981 North Dakota Children's Book Award.

Lost and Found: Won the Oscar for Best Animated Short film in 2010 for the adaptation of The Lost thing. Won the Children’s Book Council of Australia Book of the Year, Honour book for The Lost Thing and The Red Tree.


13 Reasons Why: Was named a Borders Original Voices finalist. Named Barnes & Noble, Top 10 Best for Teens and a Chicago Public Library Best Books


1. Lost & Found by Shaun Tan

Tan, S. & Marsden, J. (2011).  New York: Artur A. Levine. 

Summary: Shaun Tan’s Lost and Found is a book with three stories in one. Each story in their own unique way deals with loss. In The Red Tree, the young girl protagonist is feeling depressed and down – like she’s lost something important, but can’t remember what it was. The story can be read as a metaphor for the loss of something tangible, or intangible like happiness or hope itself. Slowly though, the girl finds what she’s been missing and realizes that it may have been there all along.  In The Lost Thing a boy finds a strange alien just standing in his town. Nobody else notices it or even cares about it. The boy realizes that the thing is lost and sets about trying to find out how to get it home.  In The Rabbits, which was written by John Maraden, Shaun Tan illustrates a dark story of colonization. In the story rabbits – travellers from another place begin settling (and taking over) a country previously occupied by a peaceful ecologically minded culture.

Connection to overall theme: All three of these stories deal with loss in a different way, though the book as a whole has a very dark tone. In all three stories the central character(s) must deal with the prospect of living in an altered world. A world either altered by depression or gloom, by knowledge or displacement. Although in two of the stories, The Red Tree and The Lost Thing, there is a hopeful ending, in The Rabbits there is not. The sense of loss therefore is darker, more tragic, and ultimately sad.
 Practical application: There are all sorts of things that can be done pedagogically with this book. First is the fact that the pictures tell a far deeper story than the words. Having students write their own stories to go with the illustrations might be a logical activity that can draw out a detailed summary of the stories, but also students’ own interpretation of the material. The stories could also be used to look for literary motifs that are used to create tone, mood, as well as poetic devices such as metaphor. Students may want also want to write their own story in the style of Shaun Tan, illustrating their own tales. The Rabbits would also be an excellent supplementary text for any unit or work being done on colonization. It might also be a companion text to New World narratives. This book would best be used with students in the age range of 10-15 as  there are several images that might frighten younger readers. 

Clip from the Academy Award winning short film of The Lost Thing


2. Milo: Sticky Notes and Brain Freeze by Alan Silberberg 

Silberberg, A. (2010). Milo: Sticky notes and brain freeze. New York: Simon & Schuster.

Summary: Milo Cruikshank is a thirteen-year-old boy who just lost his mother.  Since his mother’s death, nothing for Milo has gone right. The girl he likes (Summer Goodman) won’t look at him twice, while Hillary Alpert (his annoying neighbor) won’t him alone.  Milo’s life was once filled with his mother’s love and music, but now it is being haunted by a thick and dense fog.  Nothing is the same: not his dad, his sister, and definitely not Milo.  Milo tries to navigate his new world with the help of his best friend Marshall, and even forms a newfound relationship with his sister and his father.
Connection to overall theme: This book deals with loss from the point of view of a thirteen-year-old boy who just lost a parent.  While it follows his 7th grade year and how he copes with no longer having his mother around, it also tests the relationship with his father and sister, for his mother is no longer around to act as a buffer.  Milo begins to live life despite the “fog” that his mother’s death created and finds new meaning and hope as he moves onto the 8th grade.

Practical application: This book would work really well for middle school aged children—especially those who have lost a parent or a parental figure.  The symbolic “fog” that encroaches Milo’s life can help other students feel a personal connection with the book and allow them to see how Milo made it out okay, and how despite their loss, they will be okay too.  The format of the book includes pictures and comics, which makes the text extremely accessible to all readers.  Throughout the narrative, the book carries two different tones: somber and humorous.  Students can compare and contrast these two different tones and how the author uses humor to deal with a tragic situation and vice versa.



3. "My Immortal" by Evanescence

Hodges, D., Lee, A., & Moody, B. (2002).  My immortal.  [Recorded by Amy Lee].  Californi: NRG Recording Studios. (2003). 

Summary: Although many perceive this song to be about a relationship that has recently ended, it has been cited that the song's writer, Moody, was inspired to write this song after the death of his grandfather. Lyrically, it talks about a spirit staying with someone after his/her death and haunting him/her and how the spirit and the haunting feeling will never fully go away. 
Connection to overall theme: This song describes the lasting feelings that one feels after the death of a loved one.  No matter how much one tries, these feelings will never go away, no matter how hard one tries. Like with any loss or tragedy, no matter how hard one may try to fully let go of the emotions, it may not ever happen, but that is life, and life moves on. 
Practical application: This particular song was chosen for this blog because the possible connection that could be made with this and Milo: Sticky Notes and Brain Freeze.  Both texts discuss this inescapable feeling (or in Milo's case, a fog) that won't go away after the death of a loved one. Students can deconstruct this song and search for meaning and how it may apply to other scenarios other than losing a loved one. 




4. Thirteen Reasons Why by Jay Asher

Asher, J. (2007). Thirteen reasons why. New York: Penguin Group. 

Summary: Clay Jenson receives a box of tapes from an unknown sender.  As Clay listens to the first tape, he finds out the dreadful reason for the existence of these tapes. Hannah Baker, a girl from Clay's school (and his crush), who recently committed suicide, created thirteen tapes which chronicles her last hours alive and explains thirteen reasons that led to her death. As the tapes go on, Clay finds out that each person to receive these tapes is a reason as to why Hannah committed suicide which ultimately means that he is one of those reasons.  Clay walks in the footsteps of Hannah (who left a map with the tapes) and learns each of the reasons as to why she took her own life: her first kiss, sexual assault, bullying, etc. Clay eventually learns that he was in fact not a reason for her death, but a glimmer of hope for Hannah that she herself crushed. 
Connection to overall theme: This book deals with many traumatic issues that many teenagers face everyday: bullying, rape, suicide, etc. Not only does Clay deal with the tragic loss of his crush and classmate, he also deals with finding out numerous secrets that many of his other classmates hold.  He learns to cope with these tragedies and losses and finds a new outlook on life for himself as well as others by helping another student, Skye, who also is showing signs of suicide.
Practical application: As mentioned earlier, Thirteen Reasons Why deals with many issues that today's teenagers face.  It is a useful text to use as a gateway for many students that deal with the loss of a friend/classmates or students that may be dealing with depression and contemplating possibility of suicide themselves.  The dual narrative can be critically examined by students and students can also use this text as a gateway for a community project as many stories flood the media about students that commit suicide or face bullying. 
Book Trailer:

5. I Love You Forever by Robert Munsch

Munsch, R. & McGraw, S. (2006).  I love you forever.  Ontario: Firefly.  

Summary: This book is the rare children’s book that deals with the most serious of subjects
without detracting from the story – in other words this is not simply a book with a message. I Love you Forever, written by Robert Munsch, was inspired, by his own experience with two stillborn children. The story is about loss, but really it is about the cycle of life. It is the story of a mother loving and taking care of her baby as he grows up to become a man. The twist in the story is that it is also about how the son learns to take care of his mother, as she herself grows older. The mother eventually dies, but the son carries on the song she’s sung to him throughout his life.
Connection to overall theme: The book though comedic at times is ultimately about loss. It is about a son who loses his mother to old age. While the book certainly is about the pain of losing a loved one, it’s also about how difficult it is to see a loved one grow older. Part of what resonates about the book however, is how the boy/man is able to move on despite the loss. How he learns to continue singing his mother’s song. I love you forever is how the mother states her love for the boy and when she dies, it is how the boy honors her memory and allows her to live on.
Practical application: This book is a great text to read or recommend to students who are dealing with loss, especially younger children 6-10. The book is tender, bittersweet, but tinged with just enough comedy to make it bearable. Teachers could certainly read this book aloud, but would have to do a post discussion with students to allow for questions that they may have to ask. Teachers would have to presume before reading, that some students might want to relate stories about loved ones they’ve lost – especially grandparents. It also bears noting that teachers should be prepare themselves to read it. Many who read this book aloud are reduced to tears, especially if they are going to sing the song.


Reading of I Love You Forever by Robert Munsch


6. "Where Were You (When the World Stopped Turning)" by Alan Jackson

Jackson, A. (2001). Where were you (When the world stopped turning).  [Recorded by Alan Jackson].  Nashville: Arista Nashville. 

Summary: This song was written in the wake of the September 11th attacks.  It mourns the losses that happened on that fateful day, and the emotions that the writer went though. 
Connection to overall theme: This was a disaster that the nation faced together.  Everyone coped with this tragedy in different ways, but many people can remember where they were during the attacks. Everyone was impacted by this (as well as the ensuing war) in a different manner.
Practical application: Students can concurrently use this song when discussing the September 11th attacks, or any sort of nationwide/worldwide disaster.  They could even create their own version, and talk about where they were when an tragic event happened to them personally.  



7. Robot Dreams by Sara Varon

Varon, S. (2007).  Robot dreams.  New York: First Second. 

Summary: Robot Dreams is a wordless comic book about a dog and his robot companion.  Feeling lonely, Dog orders a mail-order robot which soon becomes his best friend.  After an unfortunate event involving water at the beach during Labor Day, Robot soon becomes immobilized.  Dog returns to his life alone by the memory of their friendship lingers as the seasons pass.  The dog unsuccessfully tries to replace his best friend by making new friends, but no one can seem to replace the void that Robot left. The Robot lies on the beach and his only salvation from loneliness are his dreams.  Ultimately, both Robot and Dog find that they have changed and find new friends and purposes in life.
Connection to overall theme: Everyone (especially children) goes through the process of losing and making new friends.  The loss of a close friend can affect anyone but Robot Dreams shows that it is okay to lose a friend and that life moves on and that people can make new friends.  Although they will no longer be close friends, Robot and Dog have their fond memories of one another and find happiness for one another. 
Practical application: The wordless comic book format appeals to many reluctant and young readers. Because the interpretation of what is being said is left open to readers and since the text is accessible to students of all ages, this book can be used in any classroom. Students can create their own dialogue or narration for the book or they can critically examine and analyze the pictures and create their own meaning. 

8. I am Malala by Christina Lamb & Malala Yousafzai

Yousafazai, M. & Lamb, C. (2013).  New York: Little, Brown and Company.

Summary: I am Malala by Christina Lamb and Malala Yousafzai describes how a young female student struggled for equal education rights in Pakistan. Malala describes a gruesome assassination attempt when she was shot in the head after refusing to leave a bus that was on the way to school. She eventually was able to survive and become an advocate for the rights of female students across the world. Her story has caught the attention of world leaders including President Barack Obama. 
Connection to theme: Malala’s story demonstrates perseverance after dealing with a tragedy. Her story can be taken as a model for the struggle women face in education in certain areas of the world. Malala was able to overcome a significant tragedy and present her equal education message to people throughout the world.
Practical Application: Students could do an interdisciplinary English and Social Studies project concerning current events and the role of women in education throughout the world. Students could do a research project in Social Studies that documents the access that women have to education throughout the world. Students could then do a current event reading pertaining to Malala in English. Students could combine their findings from both projects to understand the magnitude of Malala’s actions.

9. Bridge to Terabithia by Katherine Paterson

Paterson, K. & Diamond, D. (1977).  New York: Crowell. 

Summary: Bridge to Terabithia is the story of Jesse Aarons a lonely kid who spends his summer training in order to be the fastest kid at school. When he gets upset in the race by a newcomer named Leslie Burke, Jesse discovers she’s a bit of a loner like him. Leslie introduces Jesse to a secluded area by a nearby creek that she names Terabithia and the two decide to reign as monarchs over their imaginary territory. The two spend most of their free time in Terabithia and Jesse becomes increasingly confident, even letting go of some of the anger he had been working through alone. One afternoon, Jesse's art teacher invites him to a museum and he is forced to forego his usual trip to Terabithia. When he returns, he is horrified to discover that Leslie has died in an accident crossing over the creek to Terabithia. Jesse is shocked and extremely pained by Leslie’s death, though the confidence she instilled in him becomes the only thing that can pull him out of the depression caused by her death.
Connection to overall theme: Bridge to Terabithia is about loss, but also about tragedy. Jessie and Leslie are both lonely kids and the fact that they find each other and foster such a special friendship makes the sudden sad twist in the book all the more painful. The myriad of ways Leslie’s death could have been prevented serves to highlight the random and freak nature of the accident. The overwhelming loss is not something that only affects him, it affects Leslie’s family too, and because of this they move away in order to come to grips with the loss.
Practical application: Bridge to Terabithia won the Newbury prize in 1977 and can be taught to most middle school classes on its literary merits alone. The imaginary nature of Terabithia might lend itself to some creative writing activities and story writing – even some independent journal writing. That being said it is also a book about tragedy and loss – a book, whose twist is a shocking death by a central character. For this reason alone, care must be taken in how the book is read. Planned supports should be in place to accommodate students before the text is taken up. Loss is a central theme of the book and a great deal of classroom time might be spent on that subject. Teachers would certainly need to plan for.

Bride to Terabithia Movie Trailer

10The Lion King

Hahn, D. (Producer), & Allers, R. & Minkoff, R. (Directors). (1994). The lion king.  [Motion Picture].  United States: Walt Disney Pictures. 

Summary: The “Lion King” directed by Roger Allers and Rob Minkoff encompasses the circle of life pertaining to animals in the African wild. The “Lion King’s” main character, Simba, deals with tragedy when his father, Mufasa, dies in a stampede. Simba is left without a father and direction in life. Simba’s dark uncle Scar takes over as leader of the animals within the circle of life. While Simba is gone, he is taken in by Pumbaa and Timon. Simba goes through a period of depression and is able to turn himself around when he encounters his childhood girlfriend Nala. Simba then confronts Scar at the end of the movie and is able to take back the circle of life that his father once had.
Connection to overall theme: The “Lion King” has several deeper meanings in it. However, Simba’s dealing with loss and tragedy dominates the movie. Simba seems to have a pretty nice life prior to the death of his father. The outlook of the animals within the circle of life looks bleak when evil Scar takes over for Simba’s father. Simba is able to overcome the loss of his father and confront Scar at the end of the movie. Simba completely overcomes the tragedy when he is able to take back the circle of life from Scar that his father once had.
Practical Application: The “Lion King” can be used in English classrooms with a storyboard project that outlines the plot of the movie. Students could cut out images and place them on the board in order of occurrence in the movie. Furthermore, students could potentially do an animal-land interaction project in Social Studies where they have to brainstorm how the animals within the circle of life adapt to their land.

The Lion King Trailer

Mufasa's Death



11. Where the Red Fern Grows by Wilson Rawls

Rawls, W. (1961).  Where the red fern growsThe story of two dogs and a boy. New York: Doubleday.


Summary: Where The Red Fern Grows by Wilson Rawls is set in the rural Ozark Mountains. Billy, the 10 year old main character, is charged with raising two hunting dogs that he bought for $25 in the state of Kentucky. Throughout the text Billy develops a close relationship with both of the dogs. Billy decides to name the dogs Old Dan and Little Ann. Billy, Old Dan, Little Ann compete in hunting competitions and become very competitive to the point that they make other teams jealous. Billy and the dogs frequently went out into the mountains to hunt. Eventually, Little Ann wins a beauty competition prior to a big hunting competition. One night, the three of them go out and the dogs trapped a mountain lion in a tree that was trying to attack Billy. The mountain lion eventually comes down and kills the dogs, but Billy is able to avoid death. Billy is overcome with tragedy after the dogs die saving his life. The dogs were able to provide Billy and his family to move into a better home. Billy is not able to completely overcome the tragedy until he visits the dog’s graves and observes a fern growing over their graves.
Connection to overall theme: Where The Red Fern Grows by Wilson Rawls details a 10 year old main character who loses two animals that he becomes very close with. The main character is not able to overcome the death of the two animals despite effort from his friends and family. The main character visits the graves of his dogs and discovers a fern growing. The discovery of the fern allows the main character to overcome the death of his two dogs. 
Practical application: The book is a great piece of Americana that can be connected in an interdisciplinary sense between Social Studies and English classrooms. Students could potentially do a project in Social Studies that concerns the geography and way of life of citizens in the Ozark Mountains while relating the project to an analysis of Billy, Old Dan, and Little Ann. Furthermore, the students could read the text in English and create a story board that describes the events in detail of the text while highlighting how the main characters lived and what was important for them.



Additional References:

Alvermann, D. (2001). Reading of adolescents' reading identities: Looking back to see ahead.  Journal of Adolescent & Adult Literacy.  44 (8), 676-690. 

hooks, b. (1994). Teaching to transgress.  Great Britain: Routledge.

Lynch-Brown, C., Short, K., & Tomlinson, C.  (2011).  Essentials of children's literature.  Massachusetts: Pearson. 


Shutting the door on stigma: Rape, sexual abuse and domestic violence

Domestic violence, sexual abuse, and rape are all issues that plague our society. As we see these kinds of stories hit our news feeds, there is always an added stigma because of the details involved, especially when children are one of those details. They become instances of sorrow and tragedy as we connect with the victims and begin to regard the offenders as villains or monsters. These kinds of storylines that can be difficult to teach in the classroom because of the emotions and other problems that might arise. Despite the hesitation or resistance one may anticipate from including texts like these into a curriculum, it is important to give students of all ages access to information and resources on these topics because they are not as uncommon as people want to believe. According to RAINN (Rape, Abuse, & Incest National Network), “15% of sexual assault and rape victims are under age 12, 29% are age 12-17, and 44% are under age 18” (“Who are the Victims?”, n.d.). 
Given the information provided on RAINN's website and others, we thought it was best to focus on providing texts that would work with all ages, from young children all the way up to high school students and/or adults. We believe that it is beneficial to provide texts that reach a wide network of ages so that there are materials available to be used to inform and educate no matter what age level you are working with. Though these subjects may be very mature in content for young children and therefore more suited for students who are older, providing teachers with materials to introduce these topics to younger students gives them the opportunity to introduce and begin to discuss these topics on a more basic and kid-friendly level. Young people who suffer sexual abuse and domestic violence in secret are likely to feel estranged as they try to blend while in public; expanding the menu of YA protagonists to include these victims would help to shake up the calcifying definition of literary outsiders (Garcia, 2013).
The variety of texts we chose allow teachers and students the ability to explore and learn more about these subjects through someone they can relate to, whether it is a young child, an adolescent, or even an adult. Using these characters as guides, they will be able to see how these kinds of abuse affect those who have experienced it as well as those around them and, more importantly, how they learn to speak up and overcome these hardships in order to move on with their lives and find the justice they need — or to help each other do as much (Bridgers, 2000). In addition to that, these texts can also be used as a resource to introduce and talk about the notion of finding your voice and speaking up and the power it holds especially in relation to instances involving rape, domestic violence, and sexual abuse. 

As fairly recent texts, they're also likely to help younger readers develop strategies they'll need to navigate post-modern texts later in their reading careers. Because a sense of self-worth is so critical to escaping domestic violence and sexual abuse scenarios, books about the topic invoke shifting notions of identity — "a central concern of postmodern authors" (Groenke & Youngquist, 2011, p. 506).
In addition to providing a variety of texts that can be used in regard to a wide range of age levels whether they are young children, middle school students, or high school students, we also incorporated different literary genres, including picture books, novels, non-fiction books, and a film. Certain texts can also be accessed electronically through e-book versions, adding a multimodal dimension and lending some flexibility for educators in classrooms with resource issues. We've also attached links for several of the texts to other resources such as video clips, interviews, and we included a text that has received awards because of its ability to portray and express the ideas and themes connected to these issues of rape, domestic violence, and sexual abuse. 

Many books from this emerging genre garner acclaim for their boldness. Speak is a 1999 National Book Award Finalist for Young People’s Literature, a Los Angeles Times Book Prize Finalist, a Michael L. Printz Honor Book, and Edgar Allan Poe Award finalist, the winner of eight state book awards, and Finalist for eleven more.

Bowen, S. (2013). Momma, stop! I'll be good. CreateSpace Independent Publishing Platform.


Summary: A complicated, true-life investigation of alleged abuse observed by a very alert neighbor. Momma, Stop! I'll Be Good is the second of a two-part diary series in which author Shannon Bowen catalogues the day-to-day injustices that she believes a woman in a nearby apartment is visiting upon her young son. These include arguments overheard through the walls (including the boy's titular objection, "Momma, stop! I'll be good."), charged interactions with the woman, and observations of the foot traffic through the woman's apartment. Though many of Bowen's conclusions are built on intuition and composites of observed evidence, she never actually sees what many might call "abuse."
Connection to overall theme: Many stories about abuse and domestic violence are told from participants' points of view; Momma, Stop! I'll Be Good is written from the perspective of an observer. Bowen's list of red flags — yelling, loud noises, tense exchanges with an estranged parent, a child wandering independently of her or his guardian(s) — are good ones, though one could argue persuasively that these aren't indicative of anything at all.
Practical Application: It's in Bowen's observations about the comings and goings at the neighbor's apartment that the book becomes most provocative. She jumps to conclusions that some readers will find justified but with which others are likely to have problems. For example, Bowen frequently suggests that, given the number of unfamiliar men she sees entering and leaving the apartment, the woman must be a drug dealer or a prostitute. Based on her anecdotal reports, there's good reason to take the allegations seriously, but they're hardly damning. In either case, the book works as a classroom launchpad for conversations about neighborly responsibility. When do we look the other way? When do we involve the police? When do we alert other neighbors? Momma, Stop! I'll Be Good explores all of these ideas explicitly.

First published in 1991 but available today in print and as an ebook, Please Tell is nine-year-old Jessie's true story about her uncle and godfather, who assaulted the girl when she was four. He demands secrecy and threatens to hurt Jessie's family if she tells anybody, but Jessie decides to talk with her parents about the attack. She expects them to be angry, but "when I looked up, all I saw was that Mom and Dad loved me." Authorities become involved, justice is served, and professionals continue to help Jessie deal with the fallout from her abuse. 
Connection to overall theme: Please Tell gets to the courage necessary to dismiss the voice commanding her to stay silent. Jessie weighs the pros and cons of reporting what happened to her and takes action — a step too many victims of abuse never reach.
Practical application: The book, which Jessie wrote at 9 and illustrated at 11, is accessible enough for very early readers, and it cuts quickly to the issue that complicates and prolongs so many abuse stories — secrets. It frames the decision to tell a responsible adult in a positive, non-threatening way, which seems a better way to convince children to talk about their abuse than do books that categorize secrets as "good" or "bad," "fun" or "hurtful." That Please Tell is written from the perspective of a peer — a nine-year-old —  also makes it a more relatable treatise on the issue than similar books written by adults.


Bentrim, W. G. (2009). Mommy's black eye. Lexington, KY: Bearly Tolerable Publications.
Summary: Unlike Please Tell, Mommy's Black Eye is a picture book by created by an adult for children. Author William Bentrim says in the foreword that the book is pitched at learners from pre-school to middle-school, which is why he decided to tell this story (about a mother battered by the father of their children) using a family of bears instead of people. In the book, two "child" bears come home from their friend's house to find their mother crying in the dark. She's drawn the shades because she doesn't want the children to see her bruised eye, but she can't hide it for long. The mother explains what happened and why she asked the children's father to leave, but she makes sure the children understand that their father is redeemable and that they can continue to see him. 
Connection to overall theme: This short book focuses less on the nature of the abuse (which even the title makes evident) and more on the most important question in these dilemmas: What's next? The "Mommy" bear in this story takes swift action without condemning her abuser outright, which, in a more adult text, likely would lead to important questions about compassion's place in an abuse scenario.
Practical application: Though Bentrim notes that he wants to keep the text age-appropriate, he and illustrator Christi Schofield don't shy away from some of the thorniest discussions that a family struggling with domestic violence is likely to have — the way an abusee decides to break the news to her or his children, for instance. It also raises the possibility that an abuser can be rehabilitated. The mother bear in Mommy's Black Eye is almost too magnanimous in her account of what happened and her discussion of the family's next steps, which could offer a springboard to a critical investigation of her decision-making.


Summary: This film is rated R for a number of reasons, the most affecting of which is the brutality (almost unimaginable in movies today) of Ike Turner's attacks on Tina Turner. There's profanity aplenty, but the violence, especially a rape scene that occurs about two-thirds of the way through, is the main issue here. And it should be, because it's central to the story of Tina's eventual discovery of the gravity of her dilemma and her capacity to escape it. 
Connection to overall theme: Getting out from under an abusive situation isn't easy. The movie makes clear that Tina had multiple opportunities to leave Ike, but it also catalogs in heartbreaking detail the circumstances that compelled her to keep coming back. Ike's dominion over Tina was so strong for so long because he had complete control of his and Tina's children, as well as the legal rights to every piece of music Tina sang and every dollar the two of them made together. Only after a knock-down-drag-out battle in a limousine does Tina realize that she has to cut her losses and start over. 
Practical application: What's Love Got to Do With It? lends itself easily to classroom character investigation. Angela Bassett absolutely smolders as Tina, and an educator would be smart to challenge students to ask themselves why Tina puts up with so much abuse before she takes control of her life, but as a portrait of domestic violence, Lawrence Fishburne's Ike is the performance to watch. He's irresistible and magnetic at first, as abusers often are, but once he shows his hand, he is an appalling, pathetic, frightening, unholy menace. For that reason and others, the movie is appropriate only for older adolescents.

Unknown-2Summary: Written by clinical psychologist Patricia Kehoe, this non fiction text is written for young children who may be a suspected victim of sexual or physical abuse. The story features a child who has been sexually abused and is now afraid and unsure of what to do. A lion, who acts as a friend, helps the child to understand exactly what he experienced and how none of it is their fault. The child feels like they are not good enough anymore to play with or be someone’s friend because of what has happened to them, their self-image damaged by the abuse they have experienced. The lion, representing someone he can talk to and trust, continues to tell him that the abuse is not his fault, encouraging him to talk about what has happened to him and tell someone so that the “scary things stop”. He emphasizes that he should keep telling what happened until somebody listens whether it is one of their parents, a teacher, their doctor, etc. As the conversation between the child and the lion progresses, the lion defines what sexual abuse is as well as what physical abuse is. He talks about why people might do these things, explaining that they don’t know how to express their feelings correctly. In the end, after talking with the lion, the child starts to feel better about themselves stating that they are going to tell someone. The lion, who is very proud of the child, tells him that it will take time for these feelings they are having to go away but talking about them with someone can definitely help.

Connection to overall theme: This text offers teachers a great way to introduce young children to these concepts of sexual or physical abuse. The illustrations and having a lion represent someone you can talk to about these issues and the feelings that arise from them allows children the ability to connect easily with the story as they see that they lion is trying to help the child. In addition to introducing these terms, it talks about rebuilding a child’s self-image and the importance of speaking up and telling someone what happened reiterating this idea of finding your voice and the power that it holds.

Practical application: The kid-friendly nature of this text easily allows it to be appropriate to use with young children in grades K-4. As said previously, this topic can be very hard to introduce into a classroom because of the topics and questions that may arise. Using this a class read-aloud may not be the best idea because of the response you may receive, but one way it can be used is if it was in connection to a health lesson or as an activity where the school psychologist came in to address this. Because of the androgynous features of the child in the story, it can be used in reference to both boys and girls which allows no one to be left out. The story also features children from different ethnic backgrounds as well, another way to use this text to talk to all your students showing them that anyone can feel like this. Working with the school’s psychologist can allow you to find a way of addressing these ideas of physical and sexual abuse so as to not go too in-depth which could lead to some backlash from the parents of your students. One way is to use this to talk about feelings with your students. You could use the illustrations of the child and some of the dialogue to talk about how the child is feeling and maybe why he/she may be feeling that way. Since the book encourages the child to tell someone, you could use this to also highlight how you should also talk to someone if you are feeling sad or mad or even unsure about something because they can help you figure it out. With enough support from another professional like a school psychologist, a teacher could use this text as a brief introduction to sexual or physical abuse but if this approach is too controversial then using it to talk about feelings and how to deal with those feelings is another way this text can used with younger students. Of course, if a teacher does suspect one of their students is being physically or sexual abused, they can also use this as a resource to try and talk to them about it or even go about reporting it.

UnknownSummary: In this 1998 revised edition, Janet Bode updates her text by returning to those she interviewed bringing their stories up-to-date. This non-fiction text focuses on the human beings affected by rape whether they are survivors, offenders, the professionals who helped, the law enforcement involved, and even the judges and lawyers who fought for justice. With the many perspective captured in this text, readers are able to learn more about this crime, how it affects those who have been raped, and what certain agencies like the police and the law are trying to do to prevent it from happening. This text also provides viewpoints on how not only girls/women can prevent themselves from being put into these kinds of situations but also how boys/men can prevent themselves as well. It is through this text that readers can encounter the factual aspect involved with rape as well as the more personal side through interviews and other mediums such as comics. It enables readers to be educated on this issue, bringing to light the human element that is sometimes forgotten amongst all the statistics.
Connection to overall theme: The material and information provided within this text can easily be used to educate students on rape. The personal element found throughout this text allows students to see from how rape affects those involved, expanding to include not just the victim but also the perpetrator and the agencies involved in order to help and prevent it from happening. By addressing teens directly, this text can be used to show them how they at some point could fall victim to perpetrators of rape giving them the necessary information on how to prevent it and protect themselves. It also gives teens who may have been raped a resource to see how they are not alone and how over time they can find the courage to overcome that experience and work on a brighter future.
Practical application: Given the subject matter and topics discussed in this text, it should be used with older students, 11th/12th grade. The material in this book can be very intense and emotional so using it with students who are old enough to understand and grasp the weight that this issue brings will enable teachers to enter into a more open dialogue and/or discussion. A general discussion about rape is good method to use to start because it allows for teachers to gauge how much their students know about the subject. In addition to the discussion, you could also use a copy of the comics provided within the text to give to your students as a reference that will hopefully spark their thoughts and feelings about the subject enabling the narrative on this subject to continue. From there, you could split up the class into groups, assigning them each a perspective to focus on: the victims, the offenders, the professionals who help, the law enforcement, and the individuals of our justice system. Using the information from this text as both a resource and a guide, you could have them create a group project that they could present to the class, allowing them to educate each other on the different perspectives and viewpoints involved with this issue.
As an additional tool, teachers can turn the website Rape Is… for more resources and ideas. As said before the severity of this topic may be too much or too controversial to be used in a classroom, so the level of material you choose to provide may vary. In addition there is also a documentary entitled, Rape is… produced by Cambridge Documentary films that can be used in connection to the website, which has a discussion guide that can be used alongside the documentary.

Speak_1st_Edition_Cover.jpgSummary: For Melinda Sordino, freshman year at is not starting off the way she had hoped. She has become an outcast, continuously ridiculed at school because she called the cops at an end-of-summer party. Now friendless, she is hated by her so-called friends and everyone else and as the months go on it becomes worse. She becomes a pariah, hiding out in an abandoned janitor’s closet during school, coping with what happened to her at that party something she has not told anyone about. She knows that what she experienced that night is the reason why she has had troubling speak and why she remains mostly mute. It is in art class, with the help of her teacher, where Melinda begins to come to terms with what really happened at that horrible party: she was raped by an upperclassman. Her recovery and healing process do not come easy especially when that same upperclassman who still attends her high school decides to attack her again. But this time Melinda refuses to be silent, fighting back and finally allowing herself to be heard. 

Connection to overall theme: This text allows reader to see through the eyes of Melinda what the effects of being raped can have on a person. It enables them to see how they can lose their voice especially in this circumstance when Melinda is also trying to survive high school. Victims of rape often feel alone and in this instance Melinda is because she becomes an outcast at school. Throughout the novel, we can see her come to terms with what happened to her, leading to her finding her voice, speaking up and confronting the “beast” when he decides she needs to be silenced once again.

Practical application: Speak is a great text to use to study character development as students can see how being raped affected Melinda, and what the aftermath of her decision to call the cops has on her transition into high school. Students can be asked to keep a journal as they read the novel, writing down instances in which she develops as the story goes on as well as their responses to the text. As the story progresses, the students will be able to map out how Melinda begins to recover and heal from what happened to her. As an added reference, teachers could use clips from the movie that was made to see how her progression compares to the one written in the book. Using this medium could also spark a discussion on if the movie stayed true to the book and if not, what were the differences allowing students the chance to voice their thoughts and opinions.

An important message that comes from this text is having the strength to speak up and find your voice. Discussing Melinda’s moment of finding her voice and fighting back against Andy, or “the Beast”, can allow teachers to come together and talk about the final stage of Melinda’s development as a character with their students, comparing how she was in the beginning to how she is at the end of the novel. Continuing with this theme of finding your voice, teachers could discuss with students how they would feel if they were put into Melinda’s situation. Would they feel and act the same way Melinda did, finally speaking up when faced with another similar situation or would they find the courage to confront those who ostracized her and speak the truth from the very beginning? From here teachers could have their students write about a time where they found their found and spoke up against an obstacles or issue they were facing. These applications could be used with high school students mainly 9th and 10th graders, with the option to delve more into the issue of rape, date-rape or being sexually assaulted with the more older students such as 11th/12th graders.





Live-Through-This-cover.jpgSummary: For fifteen year old Coley Sterling life is pretty normal, she has her friends, her dance team, and Reece, her crush who keeps her equally distracted. In addition to that, she has a great family she can lean on, a mom and stepdad who would do pretty much anything to see her and her siblings happy. But beneath the well-crafted facade that Coley has been maintaining lies a secret she has been holding onto for the last decade. A relationship with her brother that has crossed the line and yet, she holds it in burying the shame and guilt that she feels. Escaping from the abuse they once experienced from their biological father, Coley’s connection with her brother and the level it has progressed to confuses her especially when her response does not match up with thoughts in her head telling her it is wrong. Her secret and the lies she has told begin to unravel when she and Reece grow closer and her chance at having a real boyfriend becomes a reality. In the end, it becomes too much, leading Coley to finally speak the truth about the abuse she has experienced for the last decade at the hands of her brother.
Connection to overall theme: This book connects to the overall theme by allowing the readers to experience how another form of sexual abuse can affect someone and how they learn to deal with it. Readers can relate to Coley on the level of discovering a new romance and dealing with high school while also viewing how keeping this secret affects her and the relationship she has with her brother. The subject of incest may be taboo but it still falls within the realm of sexual abuse including the physical abuse mentioned at the hands of their biological father that most likely caused this kind of relationship to unfold between Coley and her brother Bryan. This text also shows how Coley found her voice and in the end decided to tell someone what has been happening which connects back to this overarching theme of speaking up found in many of the other texts in this annotated bibliography.
Practical application: Like Speak, this text can be used to study character development as students read about Coley and the secret she is hiding involving the relationship with her brother that has crossed the line. This text, which is more appropriate for high school students, allows students to map out the different elements of Coley’s life that contribute to her overall progression and decision in the end to tell someone the secret she has been holding onto for the past 10 years. From here, teachers could introduce and discuss sexual abuse with their students, allowing them to see what the students may know about it, especially incest since it is a topic explored in the book, and how they feel about the subject in general since it can be very emotional and controversial. An exercise to go along with this would be to have students step into Coley’s point of view and have them imagine what it would be like to experience what she does in the book and how she copes with the emotions she feels. Because of the confusion Coley feels, not truly understanding that what her brother is doing is abuse, teachers could follow up with a discussion asking the students to share what they wrote if they were put into Coley’s shoes. With an older audience, the discussion could continue, connecting back to the topic of sexual abuse asking the students if this how they would respond if they were sexually abused whether it was by a family member like Coley or if it was by a stranger.
Because of the topics introduced in this book (and the others referenced above), and the feelings attributed towards them, it is important for teacher to have enough resources on these subjects so they have the information available in order to address and educate their students in a way that will allow them to talk about these issues as well as think about them critically.


References:

Bridgers, S. E. (2000). Learning a language of nonviolence. English Journal, 89(5), 71-73.

Garcia, A. (2013). Critical foundations in young adult literature: challenging genres. Rotterdam, The Netherlands.: Sense Publishers.

Groenke, S., & Youngquist, M. (2011). Are we postmodern yet? Reading monster with 21st-century ninth graders. Journal of Adolescent and Adult Literacy, 54(7), 505-513.

Who are the Victims? | RAINN | Rape, Abuse and Incest National Network. (n.d.). RAINN | Rape, Abuse and Incest National Network. Retrieved April 20, 2014, from https://www.rainn.org/get-information/statistics/sexual-assault-victims

For more information:  https://www.rainn.org/get-information